Bharatanatyam Adavus and technical terms

The 3 speeds in Adavus

The Adavus are performed in three speeds which are also known as the ‘kalams’. 1st speed is also called Vilambita kalam2nd speed is called Madhya kalam3rd speed is called Druta kalam

What is Angashuddha, Layashuddha and Talashuddha?

There is a combination of the significance of the Adavus lies in the Angasuddha which means correct body posture, Layashuddha means in clear or right time, the Talashuddha which means the rhythm which is suited to the dance movements.

Adavus Names and Chollu

Tattadavu

Tattu means striking. This is a series of Striking Adavus, the chollu goes “Teiya Tei“. This adavu series has 8 variations.

Hasta used: Pataka

Feet position: Araimandi

Nattadavu

Nattu means to stretch, and this is a series of stretching adavus which introduces new positions such as back swastikam and prekhanna. This adavu series has 8 variations.

Chollu: Teiyum Tat Tat Teiyum Tam (Taha)

Hasta used are: Katakamukha, Pataka and alapadma, Tripataka

Feet position used: swastikam, prekhanna, aindram, muzhumandi, araimandi

Paraval Adavu (Ta Tei Tei Ta)

This is a series of traveling adavu.

Chollu: Ta Tei Tei Ta, Dhit Tei Tei Ta

Hasta Used: Dola, Katakamukha, Alapadma.

Feet Position used: Back Swastikam, Araimandi, Samapaadam

Sutral Adavu/ Murku Adavu /Korvai Adavu (Tat Tei Tam)

Sutral Adavu or Murku Adavu is also known as Tat Tei Tam, there are 5 variations in this series.

Chollu: Tat Tei Tam, Dhit Tei Tam, Tat Tei Tam, Dhit Dhit Tei.

Hasta used: Shikharam, Alapadma, Katakamukha, Tripataka.

Feet Position used: Prekhanna, Garuda mandalam, swastikam, kuncitam

Kuttadavu/Veesi Adavu (Tat Tei Ta ha)

This adavu series has 5 variations

Chollu: Tat Tei Ta Ha, Dhit Tei Ta Ha

Hasta used: Tripataka

Feet position: Araimandi, Kunchitam

Kuditta Metta Adavu (Tei Hat Tei Hi)

This adavu series has 4 variations. This series of Adavus involves jumping on your toes.

Chollu: Tei Hat Tei Hi

Hasta used: Katakamukha, alapadma,

Feet Position: Kuncitam

Tei Tei Dat Ta

This Series has 3 variations.

Chollu: Tei Tei Dat Ta, Dhit Tei Dat Ta

Hasta used: Katakamukha, Tripataka, Alapadma

Feet Position (Paada Bheda): Araimandi, Prekhanna, Garuda Mandalam, Samapaada, Muzhumandi

Paichal Adavu (Dhit Teiyum Ta Ta Tei)

There are 4 variations in this series.

Chollu: Dhit teiyum Ta Ta Tei

Hasta used: Alapadma, Katakamukha, Shikara, Suchi, Pataka

Feet Position: Araimandi, Swastikam, Garuda Mandalam, Muzhumandi

Tatti Mettu Adavu

In Tatti Mettu, the 5 jaathis are introduced.

Chatursram- 4 beats (Ta ga Dhi Mi, Ta Ga Jhun Nu)

Tisram: 3 beats (Ta gi ta)

Kandam: 5 beats (Taga Tagita)

Misram: 7 beats (Tagita tagadhimi or tagadhimi tagita)

Sankeernam: 9 beats (Tagadhimi taga tagita)

Feet Position: Alida, Pratyalida

Mandi Adavu

This is a series adavus done in muzhumandi position.

There are 2 variations in this series.

Chollu: Tang Gita ta tat dhinna

Hasta used: Tripataka, Alapadma, Katakamukha

Feet position: Muzhumandi, Motita, Parsvasuchi, Garuda mandalam, Aindram

Kaththi Adavu

There is only one adavu in this series, this adavu is derived from martial arts movements.

Chollu: Tang gita ta tat dhinna

Feet position: Garuda mandalam

Karthari Adavu

Karthari means scissors, this series only has one adavu.

Chollu also falls under Tang gita ta tat dhinna

Feet posotion: front swastikam

Sarukkal Adavu

There are 2 variations in this adavu.

Chollu: Tang gita ta tat dhinna

Hasta used: Shikhara, Ardhachandra, katakamukha, Alapadma

Feet Position: Muzhumandi, Garuda mandalam

Sarika Adavu (Tei Ya Tei Hi)

This is a series of sliding adavus and has 4 variations.

Chollu: Tei Ya Tei hi

Hasta used: Pataka katakamukha

Feet Position: Samapaada

Teermanam Adavu

This is the finishing adavus, it has 3 variations.

Chollu:

Ta hata jam tari ta, jam tari jaka tari tei

Tadhim gina dhom

Kita taka tari kita dhom

Hasta used: Pataka, Tripataka, alapadma, katakamukha

Feet Position: Araimandi, Kuncita, Prekhanna, Swastika

Basic Feet Positions:

1. Sama: where the feet are in natural position joined together with the knees straight.

2. Parshwa: where the feet and knees are turned on the sides forming a horizontal line.

3. Tayasra: the feet are placed to form 'v' with the toes turned towards the corners.

4. Swastika: where the feet are crossed.

Feet Variations:

1. Kuttanam: Stamping the bhoomi with the sole, toe or heel.

2. Sarik: the feet move without being lifted.

3. Ancita: the toe or toes are held up while the heels rest on the bhoomi (ground).

4. Agratala Sancara: while the heel is raised the toes rest on the bhoomi.

5. Suci: one foot is on the ground in a normal position while the other has contact with the ground through the big toe.

6. Udghattita: the ground is stamped by the heel while the forefoot rests on the ground.

7. Kutta: the ground is stamped by the toes while the heel is raised.

8. Tadita: Holding the ground with the heel the forefoot stamps the ground.

9. Mardita: the sole rubs the ground.

10. Sakhalita: the foot is made to slip on the ground.